George: A Zombie Intervention (or George’s Intervention) comes to us via Breaking Glass Pictures. It’s quite an interesting take on the genre, but poorly executed.
The film opens with an educational film shown to school children. The opening was actually quite clever. It serves as exposition to us, and is meant to teach children the facts about zombies. Zombies have become members of society. So much so that there is a zombie technical support line. There are spores in the air that humans inhale. The spores lie dormant until the human dies. The spores then wake up and keep the brain functioning thus turning the human into a zombie. Not mindless Romero zombies. Rather, they simply remain their former selves, and are self aware that they are the undead. Unlike your typical film zombies, shooting them in the head does not kill them. It only makes them brain dead which turns them into the standard flesh seeking walkers. They only way to kill a zombie in this universe is to dismember them and burn them.
After the introduction, we see a group of friends having a pre-intervention for their friend George. He has a bit of an addiction problem. Much like you may have seen on television (or perhaps in an actual intervention), the friends are tasked to write down how George’s addiction has affected them. They arrive the next day at George’s home and he is quite resistant. George is a zombie, and he eats people. His friends plead with him to stop but he does not want to. As the group takes a break, people begin to be killed and George tries to eat them. One of George’s friends thinks that they are having a party, so George is constantly interrupted by guests arriving. He throws his victims in the basement to eat later.
This film is purposefully over the top. The gore is excessive and that’s fine. The problem is that there is an obvious attempt to make the film seem realistic at the same time, which places emphasis on its flaws. The performances are quite sub par, especially with the constant eye rolling and face acting. Right away as the friends arrive at the pre-intervention, they act as if they hate each other. So there was a bit of confusion as to why they are friends since they were all acting like jerks. This eventually changes as Sarah reveals that she likes Ben, and we learn that Steve is just a general dick.
The most bothersome thing in this film is George’s house. It’s like a billion square feet. No one in the house knows where anyone is and can’t hear the constant bludgeoning of guests, even after the loud music is turned off. The house also is apparently self cleaning, as blood seems to disappear from the floor.
There also is some inconsistency as one zombie discovers that he has no pulse and cannot feel pain and therefore must be dead, but in another scene, a zombie complains that being shot hurts.
The film was definitely entertaining, and some of the dialogue was quite humorous. However, most of the time is was poorly written and badly delivered. And not in a funny, quirky, Army of Darkness type way.
The very end is probably the funniest thing about the film. It is a “commercial” for a zombie rehab clinic and shows zombie supports groups and George eating Tofu Flesh.
The concept of the film is quite clever, and there are definitely some great moments. Very reminiscent of Dead Alive as far as style. I recommend a viewing, but must say that there is a lot to suffer through to get to the enjoyable parts.
Digger and I had an opportunity to attend the Virginia Indie Film Festival over the weekend, presented by the 
